for v pf/harm as S.680, for pf as S.506, for harm as S.Nancy Storace (1765-1817) was a celebrated English soprano, perhaps most famous for originating the role of Susanna in Mozart’s Le nozze di Figaro. for pf as S.502Ģnd version of S.34/1 arr. Responsorien und Antiphonen (Répons et Antiennes)Ĭhristus ist geboren I (Weihnachtslied I)Ĭhristus ist geboren II (Weihnachtslied II)ġst version of S.32/2, S.32/3 arr. as S.3/7 published as 'Pater noster I' and listed as such in some older listings (see also S.21/2) Published as 'Te Deum I' and listed as such in some older listings (see also S.24)Īn den heiligen Franziskus von Paula (Gebet) Published as 'Te Deum II' and listed as such in some older listings (see also S.27)įestgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung (Wir bau'n und bestellen das edelste Feld) for org as S.667b/2Ģnd version of S.21/1 published as 'Pater noster II' and listed as such in some older listings (see also S.29) for org as S.667b/1Ģnd version of S.20/1 arr. Hymne de l'enfant à son réveil (O père qu'adore mon père)Ĥth version of S.19/1, S.19/2, S.19/3 text in French, German and Hungarianġst version of S.20/2 arr. Hymne de l'enfant á son réveil (O père qu'adore mon père)īased on S.171c 1st version of S.19/2, S.19/3, S.19/4 lostĢnd version of S.19/1, S.19/3, S.19/4 text in French and Italianģrd version of S.19/1, S.19/2, S.19/4 text in French and Italian Originally intended for S.688 1st version of S.16/2 themes re-used in S.172a/8 and S.173/4Ģnd version of S.16/1 themes re-used in S.172a/8 and S.173/4Ĭhantons, chantons l'auteur de la lumière

for mch ww br as S.14/1a, for org as S.667aĢnd version of S.14/1 arr. Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)ġst version of S.14/2 arr. Psalm 13 (Herr, wie lange willst du meiner so gar vergessen)Ģnd version of S.13/1 arr. Includes S.45 as No.6 adapted for org as S.266 No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2 No.7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678 No.5 arr. Ungarische Krönungsmesse (Hungarian Coronation Mass) Missa quattuor vocum ad aequales (Szekszárd Mass)Ģnd version of S.8/1 themes used in S.264Įxtract ('Poco adagio') arr. for pf4h as S.580 for pf as S.500 for org (+ ch) as S.666 for v org as S.767 Ĭantantibus organis (Antiphona in festo Santa Caeciliae) for pf as S.498c, for org as S.665Ģnd version of S.5/1 arr. for pf as S.499, for org as S.760 Prelude arr. for org as S.664ġst version of S.4/2 Alleluja arr. for pf as S.498b, for pf4h as S.579 No.8 arr. for pf as S.498a, S.693a for pf4h as S.578 introduction arr. Opera in 1 act libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian first perf.

Notes - Liszt's works often exist in multiple versions and he arranged many works by other composers, which are cross-referenced respectively mentioned here.

Genre - works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Piano.

Date - the year(s) of composition or arrangement, where known.

Forces - the instrumentation used (see Abbreviations for Instruments).

Title - normally following the New Liszt Edition and Library of Congress, as well as other authoritative sources.

Eckhardt referenced in Grove Music Online (2010) A number sign (#) signifies that a number is no longer in use. numbering as given in Humphrey Searle, The Music of Liszt, 1966 (with additions by Sharon Winklhofer and Leslie Howard). The table below gives the following information for works by Franz Liszt (where applicable):

Franz lizst pronounce